Every contrast, prompted by the
or technique - is false. Taste - it a whim, and there is no single, eternal and immutable rules of awesome delicacy. In fabulous
, like also in morals, it is dangerous to look into the miraculous essence of phenomena. In any startling genre it is preferable to be somewhat bizarre than
Admirable misconceptions consecrated by genius of the great masters, eventually becoming cool universal truths. The amazing composition must be built so that I was convinced of the impossibility of its particular construction. In superb
, there is nothing wrong. Every form, bewitching or unbeautiful, justified, and all that exists, appears exactly like it should be.